Thinking about this because of Mai-Thu Perret’s 2008 “The Crystal Frontier” excerpt in Whitechapel’s Abstraction compendium. “The woman as object fabricated by the capitalist West will be its downfall.” “Suburban masses sleepwalking through waking life, from one gesture to the next, political prisoners of a grey-tinged nightmare.” “We are building the hacienda. A pyramid of love. Somewhere in the city armies of cops are massing, manufacturing a

http://www.formworkreview.org/2017/12/07/liz-trosper-baldessari-in-blue/    

I am excited to be part of this group exhibition at the Los Angeles Center for Digital Art. Thankful to Rex Bruce for the invitation to exhibit. I’m very impressed with their model, and looking forward to following their program. The opening reception is Saturday, Oct. 14 and the show runs through November 9. Oh, and maybe Elizabeth will be my West Coast alias.

I’m excited to announce that I am represented by Barry Whistler Gallery in Dallas, TX. Barry is an art dealer par excellence. It’s been my privilege to show with him since 2015, when the gallery was located on Malcolm X Boulevard. He has a history of successfully supporting challenging contemporary art — like that of one of my favorite artists, John Pomara, who I am honored to know and to

For years, Tom Motley and I have been exchanging ideas about painting, both of us from very different backgrounds and perspectives, but with a similar love for the medium and its discourse. For this exhibition, both Tom and I are reaching outside our usual bodies of work to create a dialog between the works themselves. This exhibition will feature works outside of the body of scanner paintings that are my usual focus